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me: **throws up bc I had food poisoning**
my dad: it’s because you walk barefoot on the tile

(via saoblues)

#omg  #yes  

I sat in the dark, in the living room.
I was thinking, naturally, about time.
I remember how, in almost the same instant,
my heart would leap up exultant and collapse
in desolate anguish. The leaping up—the half I didn’t count—
that was happiness; that is what the word meant.

Louise Glück, from Birthday (via violentwavesofemotion)

(via thefallentree)

Zodiac Signs As Types of Weather

itsazodiacthing:

Aries: Hail

Taurus: Overcast

Gemini: Windy

Cancer: Snowy

Leo: Hurricane

Virgo: Foggy

Libra: Sleet

Scorpio: Tornado

Sagittarius: Thunder

Capricorn: Humid

Aquarius: Sunny

Pisces: Rainy

(via kgbees)

lifeunderthewaves:

Beauty and The Beast
A female freediver takes in the underwater scene, as a lemon shark slowly swims by
Photograph by Raul Boesel

(via zombie-neuroscience)

The more Odysseus languished, the more he forgot. For nostalgia does not heighten memory’s activity, it does not awaken recollection; it suffices unto itself, unto its own feelings, so fully absorbed is it by its suffering and nothing else.

Milan Kundera, Ignorance (via fables-of-the-reconstruction)

(via airwalker)

alicecarrier:

lady fern for christine of coral vintage!

But she did not want advice; she wanted intimacy.

Virginia Woolf, from The Voyage Out (via violentwavesofemotion)

(via airwalker)

10 weird tricks that will cause the abyss to gaze back!

Original Scissor Hands worn by Johnny Depp in Tim Burton’s “Edward Scissorhands”

(via lore-light)

letters-to-nobody:

Two-Minute Personality Test
By Jonathan Safran Foer

What’s the kindest thing you almost did? Is your fear of insomnia stronger than your fear of what awoke you? Are bonsai cruel? Do you love what you love, or just the feeling? Your earliest memories: do you look though your young eyes, or look at your young self? Which feels worse: to know that there are people who do more with less talent, or that there are people with more talent? Do you walk on moving walkways? Should it make any difference that you knew it was wrong as you were doing it? Would you trade actual intelligence for the perception of being smarter? Why does it bother you when someone at the next table is having a conversation on a cell phone? How many years of your life would you trade for the greatest month of your life? What would you tell your father, if it were possible? Which is changing faster, your body, or your mind? Is it cruel to tell an old person his prognosis? Are you in any way angry at your phone? When you pass a storefront, do you look at what’s inside, look at your reflection, or neither? Is there anything you would die for if no one could ever know you died for it? If you could be assured that money wouldn’t make you any small bit happier, would you still want more money? What has been irrevocably spoiled for you? If your deepest secret became public, would you be forgiven? Is your best friend your kindest friend? Is it any way cruel to give a dog a name? Is there anything you feel a need to confess? You know it’s a “murder of crows” and a “wake of buzzards” but it’s a what of ravens, again? What is it about death that you’re afraid of? How does it make you feel to know that it’s an “unkindness of ravens”?

(via zombie-neuroscience)

So little of what could happen does happen.

Salvador Dalí (via tierneyed)

(via ifveniceissinking)

bobbycaputo:

Perfect Storm: Interview with Stormchaser Mitch Dobrowner

Mitch Dobrowner is a fine art photographer based in Studio City, California. Born on Long Island (Bethpage) New York he as have a wife (Wendy), 3 kids, a dog… and in his words, a bratty cat.

His work has been published by National Geographic MagazineABC NewsTIME Magazine,NewsweekCNNNPRAudubon SocietyLA Times and LensWork, among others. Google recently produced a 2 minute commercial revolving around his work for their Search Stories campaign.

(Continue Reading)

(via climate-changing)

When I’m quiet, that’s when the truth emerges.

scienceyoucanlove:

This new image of the reflection nebula Messier 78 was captured using the Wide Field Imager camera on the MPG/ESO 2.2-metre telescope at the La Silla Observatory, Chile. This colour picture was created from many monochrome exposures taken through blue, yellow/green and red filters, supplemented by exposures through a filter that isolates light from glowing hydrogen gas. The total exposure times were 9, 9, 17.5 and 15.5 minutes per filter, respectively.