‘A Short Film about Kissing’ Directed by Wim Wenders, starring Liv Tyler (x)
In a field
I am the absence
always the case.
Wherever I am
I am what is missing.
When I walk
I part the air
the air moves in
to fill the spaces
where my body’s been.
We all have reasons
to keep things whole.
When I wake up just before dawn and hear the throbbing voices of birds as they echo against the silence, I am overpowered by yearning. When I ride in the dark on stark roads through dry, bald hills, I ache with desperate longing. I don’t know what I am longing for, maybe for some place of my own within these images, some place where I fit, instead of being the one human being still awake, the only thing moving across the hills in the arid darkness. Maybe that ache is loneliness. I haven’t found a name for the feeling yet, nor do I know exactly what awakes in me. But instinct warns me that it is too potent for me, that my soul is on the verge of cracking when I feel it that way. I cannot handle the sheer power of those wild emotions by myself. I have to find some way to share them. That is why I write. It’s instinctive. I just have to—because it is awake like lava in my blood, and sustains me.
Sensory processing circuits in the visual and olfactory systems receive input from complex, rapidly changing environments. Although patterns of light and plumes of odor create different distributions of activity in the retina and olfactory bulb, both structures use what appears on the surface similar temporal coding strategies to convey information to higher areas in the brain. We compare temporal coding in the early stages of the olfactory and visual systems, highlighting recent progress in understanding the role of time in olfactory coding during active sensing by behaving animals. We also examine studies that address the divergent circuit mechanisms that generate temporal codes in the two systems, and find that they provide physiological information directly related to functional questions raised by neuroanatomical studies of Ramon y Cajal over a century ago. Consideration of differences in neural activity in sensory systems contributes to generating new approaches to understand signal processing.
Inuit Genealogy, Jean Malaurie (via huldrapress)
Literally A Genius.
I’ve been quite fascinated by the relative insignificance of human existence, the shortness of life. We might as well be a letter in a word in a sentence on a page in a book in a library in a city in one country in this enormous universe! And that kind of fear and insignificance has kept me awake at night. I feel like it must be universal. Everybody must know that somewhere.
I just realized that 42 seconds into 4:23 pm on August 4, 2015, that will be the only moment in our lifetime where the date is all of The Numbers from Lost in order: 4/8/15, 16:23:42
“I always admired Wonder Woman and the Incredible Hulk, but I don’t know if I’d be a very convincing Hulk.”
Being a good writer is 3% talent and 97% not being distracted by the internet.
— the writer reblogs, being distracted by the internet
Eleonore Hendricks by Cass Bird for Jalouse #133 2010
The world’s most powerful artificial tornado is part of the Mercedes-Benz Museum in Stuttgart, Germany. Though popular enough with visitors that the staff will bring out smoke generators to make it visible, the tornado was not built as an attraction - It’s actually part of the building’s fire protection system. The modern open design of the museum meant that conventional smoke removal systems were inadequate. Instead vorticity is generated in the central lobby with 144 wall-mounted jets. The angular velocity created by the jets is strongest at the middle, in the vortex core, due to conservation of angular momentum - exactly the way a spinning ice skater speeds up by pulling his arms in. The core of the vortex is a low pressure area, which draws outside air toward it - this is how the tornado pulls in smoke when there is a fire. The fan on the ceiling provides the pressure draw necessary for the smoke to be pulled up and out of the building at a supposed rate of 4 tons per minute. See the tornado in action here. (Photo credit: Mercedes-Benz Passion; submitted by Ivan)